Bad Bunny Used Social Media to Pour His Heart Out to Mexico

Bad Bunny Used Social Media to Pour His Heart Out to Mexico
Credit: TikTok (screenshot)

Bad Bunny closed 2025 in Mexico City with the kind of certainty that comes when an artist and an audience understand each other without negotiation.

Across eight sold out nights at Estadio GNP Seguros, the Puerto Rican artist brought his Debí Tirar Más Fotos World Tour to a city that has long embraced him as its own, delivering performances that stretched close to three hours and carried music, narrative, and cultural references shaped by years of shared loyalty. Each night unfolded before thousands of fans who sang every lyric back to him, turning the stadium into a single voice that moved with the show.

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@Bad Bunny Night One in CDMX #badbunny #cdmx #DtMF #benito #concert

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Eight Nights That Defined the Run

Between December 10 and December 21, Bad Bunny transformed Estadio GNP Seguros into a space where scale and proximity coexisted. The production moved across two stages, allowing him to travel through the stadium and remain present with fans in every section. A central moment of the show arrived inside La Casita, a stage inspired by Puerto Rico, before he returned to the main platform to close the night, reinforcing a sense of home that traveled with him while the setting remained unmistakably Mexican.

Special guests added dimension to the run of shows, with appearances by Feid, Grupo Frontera, Julieta Venegas, Natanael Cano, and J Balvin. Each collaboration brought a different generation and sound into the same space, reflecting the way Bad Bunny continues to move between scenes without losing his center. Across eight nights, the concerts felt cohesive without repeating themselves, shaped by the city and the people filling the stands.

Mexico City Beyond the Stadium

After the final show, Bad Bunny stepped away from the stage and into the city. Known for keeping much of his personal life private, he shared moments from his time in Mexico City through his official Instagram account, offering glimpses of places that shaped his visit away from the tour schedule.

His stops included the National Museum of Anthropology, the Bosque de Chapultepec, and the Casa Azul in Coyoacán, alongside a night attending lucha libre, a form of spectacle deeply rooted in Mexican culture. These moments presented a version of the artist moving through the city with curiosity and attention, absorbing history, art, and tradition without performance.

Alongside those images, Bad Bunny shared a message addressed directly to his Mexican fans, acknowledging the role they have played in his growth and grounding his success in gratitude.

“About Mexico I have so much and so much to say that one single story would not be enough. I will only say thank you for embracing me with so much love for so many years. I promise that I love you in the same way. You inspire me deeply with your culture, your passion, and the heart of your people. These weeks in your beautiful land will stay with me forever in my memory. I promise I will return, and one day I will tell you how you were and continue to be motivation for me. For now I will only say… LONG LIVE MEXICO, CABRONES!”

Closing a Global Tour in Mexico

The Mexico City shows closed a major chapter of Bad Bunny’s Debí Tirar Más Fotos World Tour, which totaled 56 sold out stadium dates across 18 countries on four continents and moved over 2.6 million tickets, establishing it as the first global stadium tour led by a Latin artist.

Mexico stood apart because of scale, response, and timing. Eight consecutive nights at Estadio GNP Seguros confirmed the depth of his connection with the city and capped a year defined by sustained demand and reach. The shows ended without summary or spectacle, leaving the moment where it belonged, with the people who filled the stadium night after night.

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