Cazzu’s First Book Is for the Latinas Who Built ‘Perreo’

Cazzu’s First Book Is for the Latinas Who Built 'Perreo'
Credit: Instagram/Cazzu

A title. A cover. A voice that refuses silence. On May 1, Julieta Cazzucheli — known to most as Cazzu — released her first book Perreo: una revolución. It enters a space rarely explored by women from the urban music scene.

“I found myself feeling stupid for thinking I had the right to write a book,” she wrote on Instagram. “Then I remembered that terrible books exist and the feeling passed. Although obviously I hope this is not one of them. That will depend on your opinion.” Her voice walks a line between irony and conviction. That same tension defines her music. Now it lives on the page.

Writing What the Industry Doesn’t Want to Hear In ‘Perreo’

The idea began four years ago. Thoughts once kept in silence became too loud to ignore. Only after sharing them aloud did the possibility begin to take form. “This book tells reclaims and rants about the urban music industry. About life as a woman in music or in any space where this applies. Above all it aims to contribute to the work of building equality,” she added.

Cazzu avoids answers. She insists on questions. The book refuses to comfort. It insists on complexity. She credited Tokischa for helping her think through certain parts and offered the project to a wide cast of people. “To the women who love reggaetón. To those who hate it. To those who want to sing compose or produce. To my fellow women who barely made it and are still holding on. To my male colleagues and the artists who inspired me. To my sister the women in my family my friends my fans and the curious who want to know what the hell I have to say.”

A Release in Her Voice

Latinaje arrives with the same deliberate pace as her book. Across fourteen tracks, she moves through tango, folklore, bachata, corrido tumbado, merengue, ballad, and funk. The album deals with two things directly: love and the absence of it.

Among them, La Cueva stands without context or explanation. It was written after her split from Christian Nodal, the father of her daughter. She doesn’t frame it as heartbreak. She doesn’t name it as recovery. It’s a track, nothing more.

The book is now available in Argentina and in the United States.

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